#Magic mike xxl youtube dance movie#
The glee of Mike’s precision-based moves is founded both in the fiery overtness of the sexual innuendoes and the fact that Tatum – a movie star at the peak of his powers – is willing to indulge the female and gay male gaze to the full extent of his skilful abilities.
#Magic mike xxl youtube dance professional#
Pumped up men and elaborate settings are interchangeable but a marked constant is the breathtaking technical prowess of Tatum’s d…ance moves.įor anyone that forgot or didn’t know that Tatum was a professional dancer before becoming an A-list actor there is an early scene that will blow at least one part of your body. If the dialogue wasn’t so polished and pointedly referential (hitting everything from Narcissus to Twilight) then the tone would be set by woozy stoner logic. A drag club is visited, Amber Heard takes a picture of Mike pissing, Andie MacDowell’s house acts as a power keg. What follows will transform the way you think about The Backstreet Boys and drink fridges.īig Dick’s dance is hot and funny but it’s not even the hottest and funniest thing going. In a bid to get him performing a more relatable sexy role, they set him a dare to make a service station attendant smile. After dropping some MDMA, Mike gets Dick to confess that his heart’s not really in his fireman routine. Everyone gets a gag or two and shout out to Matt Bomer’s Ken for trying to impress people with the line, “I’m a Grade 3 Reiki healer.” But Tatum aside, Joe Manganiello as Big Dick Richie is the one that steals the show. The wheels of the road trip, which begins in a frozen-yoghurt van, are greased by an enlightened strain of bromantic bonhomie. For the movie bubble to fly high, we must all collude in investing in something deliberately at odds with anything that could exist outside of the film’s two hours.
No troupe of real-life strippers could so perfectly articulate their roles as glitzy, baby-oil covered social workers, selling sexual fantasy with every twinkly-eyed disrobing and sometimes giving it all pro-bono. The best aspect of the film is that it knows it is all a drill. It will wait for the Tampa Boys, for the screaming women they entertain and for us in the audience. Like death, humdrum routine is an equal opportunities operator.
The pull of high-gloss, nearly naked, technically brilliant and fantasy-embodying male entertainers is set up as a contrast to the humdrum routines that are always waiting. Everyone’s already talking about selling yoghurt and the other business opportunities that will come to define their working lives.īut first for something completely wild.
It will be everyone’s last roll of the thighs as the boys have been ditched by Matthew McConaughey and Alex Pettyfer (who are plying their trade in Macau, those turncoats).
Fortunately he is punked into attending a pool party with his former troupe, The Tampa Boys, who pitch a brief hit escapism in the form of a stripper convention in Myrtle Beach, Florida. A shot of him staring out at the sea encapsulates that adorable trope – the sad hunk – and lets us know that he’s not fulfilled. His character, Mike, has long since ditched the ‘Magic’ stage moniker for the ordinary grind of running a carpentry business. The film opens with Channing Tatum wearing clothes and heaving furniture. Everything that happens in between point a and b can be attributed to drugs, be they MDMA or performance highs. This is a ‘getting the boys back together for one last show’ movie that – due to the location of the last show – is also a road movie. Gregory Jacob’s XXL has a much simpler arc. Steven Soderbergh’s original Magic Mike had a tangled and serious plot serving the socially progressive reminder that male strippers can be sensitive and complex as well as buff.
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